Why did the gossiping grape get kicked out of the fruit salad?
Because it couldn’t stop spreading rumors!
(I asked ChatGPT to tell me a joke about gossiping. I don’t think we have to worry about AI too much yet.)
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No sense in burying the lead- I wasn’t a fan before taking a deep dive into Taylor Swift’s discography, nor did I become a Swiftie after. Well, deep dive is a strong term for it; my kid had selected key songs from each of Swift’s albums, to show her development over the years. Eras, if you will. Wow, that just gave me a great idea: Taylor Swift should put together a concert with that same idea and call it the “Come Check Out How I Developed Throughout my Eras” or maybe something more catchy, I don’t know, I’m not an artist.
While I wasn’t a fan, I certainly didn’t mind listening, which is more than I can say for most modern artists, particularly {gag} Pop Country stars. We listened to a lot of songs and there was only one that would’ve had me reaching for the off button had I not been contractually obligated to give it all a chance. On the other end of the spectrum, when I told my kid the song I liked the most, I was glad to find it to be her favorite as well.
Not that I could tell you the name of those songs, mind you. I wouldn’t ever think of Swift as destination listening- that is, purposefully putting her on- and there wasn’t a single track I’d put on repeat. That said, it didn’t take long for me to understand why she’s so successful. She has an Elvis quality, an ability to not only perform in multiple genres, but also knock it out of the park again and again. Beyoncé, for all her success, cannot claim the same.
Speaking of Elvis, I imagine there are those who would say Swift can succeed where Beyoncé can’t because Swift is white and Beyoncé is not. Might be part of it, but I don’t think it’s the main reason. When a Pop Country artist slides into Pop, it feels natural; after all, you can’t spell Pop Country without Shit I mean Pop. When Pop or Rock artists put out a Country album, it feels like a grift. When they walk into a honky-tonk, the regulars say, “You ain’t from around here, boy,” regardless of their gender and skin color.
Beyoncé’s ego doesn’t mesh with Country, either. She did a bog standard cover of “Jolene” which, already, yawn, but also completely missed the point. The original is, “Jolene, you could have my man in a heartbeat, but please don’t, because he’s all I could ever have and you could have anyone.” Beyonce’s version is, “Jolene, you could never have my man, so please don’t try, because then I would have to cut you.” (For a much better review of that song and many, many others, check out Todd in the Shadows on YouTube.)
Which is not to say that Swift doesn’t have an ego. Boy, does she ever. I couldn’t hope but note a recurring theme in her songs. “What we had was magical and pure and unique and true love but you couldn’t see it and you screwed it all up and I was twenty and you were thirty and I’m not outright calling you a fucking creep nor saying your name but everyone will think that and easily figure out of whom I’m speaking and you and you and you you you.” Swift herself never made a mistake, was never to blame for anything. I pointed out this lack of self-awareness to my daughter and she said there are more recent songs where Swift does acknowledge some accountability, but I never heard them.
The two words that kept coming back to mind were, bully pulpit. She has so many devoted fans- scarily devoted- and I’m sure she’s very aware that, while she omits actual names from her diss tracks, she can count on her fans to know where they can direct vitriol on her behalf. It’s very much like her ability to pull off what I call her “Golly!” face- as in, she wins an award, or enters an arena with tens of thousands of screaming fans, and she’s wide-eyed and slack jawed and smiling, “Golly! All this for me, really?” It’s false, an act, and I say this because I respect her intelligence.
Except for the song where she imagines how much easier life would be if she were a man. She’s not successful only because she’s a woman, but being a woman, an attractive woman in particular, is a huge part of her success. And she must know this, otherwise why all the costume changes and enough makeup to take down a charging rhino?
(Here’s the punchline to the above paragraph: I asked my kid if that song is called, “If I Were a Boy,” and she thought I was giving her shit, but I honestly didn’t know that is the name of a Beyoncé song.)
It’s no wonder that, despite her aforementioned celebrity body count, her message of, “We were two in that relationship but only one at fault and it wasn’t me,” is so appealing and relatable to young women. Young women gonna young women, you know, and don’t throw misogynist at me for pointing it out. Young men do and think stupid shit, too. To put it another way, “You’re mad at me, you don’t love me, but I never gave you a reason for that.”
I’ve never been a young woman, will never achieve fame, much less that level, but I found myself relating to some of the aspects mentioned above. For one, expat comics in Sweden often gripe that life would be easier for us if we were Swedish. That certain doors would be open instead of closed, that film and TV and radio gigs would be more attainable. Perhaps, or perhaps we would be shit comics if we didn’t have the outsider status we currently exploit. Perhaps we are shit comics who can only exploit our outsider status. I’d love to believe that I’m funny not only because I say, “Boy, ‘slutspurt’ is a hilarious word!!” but I can’t believe that being an expat isn’t a significant part of my “success.”
While my outreach doesn’t compare to hers, this blog is my bully pulpit, of sorts. “Don’t Shit Where You Eat!” was always meant ironically, as I’ve always known myself well enough to know I can’t keep my foot out of my mouth, in a club or in a blog post. Although I’ve been careful to not name names, in some cases I’ve been so specific with details, anyone with even passing knowledge of recent events could easily figure out of whom I’d written. Or, you know, ask me in a dm and I tell them immediately. Never been one for subtlety, I guess.
I’ve said, “I have so many beefs it makes me want to go vegan,” too many times during my tenure as a comic. Too many times, believed these conflicts had come out of nowhere, that I’d done nothing wrong, nothing to deserve any ire. Well, when they pile up at one’s feet, one must start to think, hey, maybe one deserves some blame here.
Not that I seem to mind collecting beefs, apparently. Here’s a life hack: if you ever worry that you hang onto too much negativity, get yourself a friend who has so many grudges, and feels so passionately about them, it makes you look like a saint in comparison. In other words, get yourself a Laszlo.
Well, I do hang onto too many grudges. I don’t feel much about them, though, it just makes me not want to have anything to do with the people involved. Sadly, they are numerous enough that I can’t swing a dead cat in a club without hitting one, and that contributes to my lack of motivation to be out there. Apparently, I can’t swing a dead cat in a club at all, anyway. Everything is so goddamned woke these days.
Anyway, when I bash someone here and it’s obvious even without names and they find out and get pissed, I can’t hold up my hands in confusion and wonder what I did to deserve it. I can admit when I turn someone into a cunt or reveal them as the cunt they always were. That said, how people act in their cuntiness and how I react to that is a topic for next week.